Enter The Gladiators
Bergerac sat alone picking away at the decaying
picnic table. Splinters occasionally piercing the soft flesh beneath his finger
nails. A solitary tear dripped down his face, taking with it, it's black
lacquer brother painted beneath the left eye. The salty drop left a deep valley
across the pan stick coating his cheek.
"What a cliché. A
sad clown." the lion tamer, jeered as he sauntered across the deserted
dining area.
"Leave it
Bob." Was only utterance he could manage. Nothing witty nor cutting
summoned itself from the depth's of Bergerac's gloom.
Thinking
himself alone once more, he slumped back down over the sagging, sad excuse for
a table only to feel the bite of Bob's whip sear the podgy flesh of his lower
back. Bergerac strained involuntarily into a position that would have given
even the contortionist ripples of envy. As the pain nipped through each synapse
he winced. Squirming as if performing a strange dance to the tune of the lion
tamers short, rotund and balding laughter as it cracked across the field.
As his
listened to Bob's stumpy legs chaffing their way to the canteen, Bergerac's
assault on the woodwork waned. His tears now searing with the same burning
intensity as the lash across his spine.
The
rain began to fall, making an attempt to wash the valleys of sandess from
Bergerac's face. He made no move to escape the growing black soup of
cumulo-nimbus above his matted, dull, red and yellow hair. The gritty scent of
sandy mulch mixed with straw and well trodden popcorn was drummed up from the
ground. The downpour intensified its assault, streaking greyness down from
above, painting the garish surroundings, a dull and hazy monochrome. A slight
glow permeated the gloom. A silken laugh punctuated Bergerac's own personal
darkness, the source was one and the same, emanating from Genevieve's trailer.
Sighing
he tried to reason out if hearing her laughter was joy enough to ignore that
fact that it was Bozo wooing those carefree utterances. Thus far his hourly
musings on the subject had all come to the same conclusion: it wasn't.
Bergerac's temper grew thin as the unmistakeable moans of a very adult pleasure
rose from the trailer. His rage boiled beneath his skin and began serge.
Furious vibrations escaped with lips, striking out through the crash of the
incoming storm.
"He shouldn't ever
have been here! He's badly suited to being a children's entertainer, let alone
to console my heavenly Genevieve. Bozo, Bozo, BOZO!!!"
Finally with fists clenched and his eyes
seething with fury Bergerac stood to declaim his fellow clown to the, now
fleeing, clouds.
"Curse the wretch.
He's such a..."
"... Fucking
cunt!" Spluttered the inhibriated Bozo as he stumbled pig drunk from
Genevieve's trailer.
"Mister... big-shot-ring-conductor....
thinks, thinks he can do what he likes! Say what he likes! Better than us lowly clowns!"
Luckily there were no patrons within earshot
let alone line of sight. Especially as the half naked Genevieve toppled out
after Bozo. She draped her gin saturated body across his shoulder, shrieking
with derision.
"You. Are. So
right." Genevieve emphasised her words, beating back the eager slur which
inhabited so many binge drinker's vocal chords.
" He's got nothing on my." She
paused, her eyes welling, threatening to source a mighty rubicon.
"Gerry!"
Bergerac
rose and made a move to console the widowed trapezist. He was blocked by the
bloodshot eyes of his rival. Genevieve's open wailing mouth was swiftly plugged
with a quart of gin.
Bergerac's
ears had pricked at the mention of Gerry, the circus recently departed
ringmaster. Genevieve had taken the death of her husband horrendously and in
her current state showed no sign of any kind of recovery. The state of
G&G's Circus was not much better; the stalls as barren as a widow's heart,
the field as saturated and unserviceable as her liver, and the staff as lead
upon the path of self destruction as she.
"Well,"
sneered Bozo, poison brewing in his fangs. "He might have been here if
this cretin hadn't been such a coward!"
Bozo seized Bergerac by his oversized lapels.
Holding him in a ogre like grip, he began to shake him. The kinetic energy
forced through Bergerac's lame body caused the squeakers in his boots to work
overtime as the knocked together.
"Isn't that right
you little fucking brotwurst shit head!"
Too petrified too look his attacker in the eye
Bergerac cast his gaze downward, cowering like a child. The glint of Bozo's
brand new gold Rolex caught his eye. Bought with Gerry's life insurance pay out
no doubt. Within the face of the ill gotten watch, Bergerac saw that every
taunt was true, his sorry and spineless excuse for a reflection was feebly
glancing sideways at him. Bergerac knew he's taken the easy way out, he'd run
away.
"... isn't that
right you putrid little scab" a sharp snap to his neck, drew Bergerac from
his self deprecating musings.
"Bozo I... I didn't
realise that... Louis Vutton made clown boots..."
Bergerac
said this with every intention of being witty and provocative. However it served
only to spur Bozo's foul mouthed tirade to continue with renewed vigour.
As it
became clear that this was not just another admissible alcohol induced
confabulation, circus folk began to gather. For once in the three months since
Gerry's absence, something bearing a resemblance to entertainment was taking
place within the grounds of the circus and the excited murmer of the crowd
began to build.
"Lay off him
Bozo!" Bob yelped, quietening the hubbub.
Bozo's
haggered face, framed by a five o'clock shadow turned in a devilish grimace as
he spat out his words.
"You're a fine one
to talk Bob." Bozo spat, spraying him with a special brew of forty percent
proof spittle. "This German prick is the reason we had to shoot half your
lions."
"We don't know that
Bozo. Someone here needs a moral conscience now Gerry's gone. I for one think
it's pretty unfair we blame the poor bugger before we do know exactly what
happened."
Dead
air hung between the frowns of the crowd.
"I mean, just look
at him. Ok? His face is pretty mangled from where we pulled him out of Sheba's
jaws. If he was fucking about with my lions, he certainly paid his price."
The
crowd hovered at a low murmer, deciding whether or not to leave.
"Actually Bozo, I'm
from Fran-"
Bergerac's interjection was cut short by a
blunt clout to his skull, landing him face first in the mud. Perhaps it was the
high concentration of iron oxide within the soil which caused Bergerac to see
red. Or perhaps it was some far off karma-tic force willing him forward. Either
way Bergerac roared to the heavens as he ploughed Bozo onto his back,
delivering a vertebrae shaking, tooth knocking, crowd stopping comeuppance.
For the
briefest of moments at least.
The
sudden strike from the underdog renewed the crowd's blood lust. Bergerac's
aggression began to wain; he began to feel increasingly out of his depth
despite having his enemy flat on his back. The pause gave Bozo an opening to
throw off his attacker and begin to kick him in the ribs. The soft leather of
the oversized loafers provided a small amount of cushioning upon impact, of
which Bergerac's was mildly appreciative.
"These are
Louboutin's you prick and don't you EVER forget it!!"
Each
impact of Bozo's foot laboured his point. The heckling from the crowd, once
loosed, grew in intensity. All their frustrations and depression manifested
themselves in a collective mob mentality, hysterically driving itself forward.
It was at times like this Bob's
disproportionately loud voice spurned by his little man syndrome was of most
use. He was, surprisingly, able to be noticed above the commotion of the rabid
crowd as he loosed a deafening yell for silence. Cracking his whip to vacate
the area directly surrounding the two clowns Bob managed to force himself between
the pair.
"You're a coward! A
traitor! You're the reason Gerry is dead and gone!"
Genevieve
began to howl. Shrieking she ploughed herself mercilessly into the mud, as if
to bury the fragile husk of her body. At the sight of this fresh despair the
spinning in Bergerac's head changed from a clockwise to counter-clockwise.
Guilt began to bear down upon him.
Bozo dropped his fists and unfurled a nicotine
stained finger into gnarled point. He turned calmly to his opponent.
"I'm calling you
out Bergerac."
The
crowd paused, hanging upon the words as they edged out of Bozo's mouth between
a thick metallic spray of bloodied spittle and the occasional tooth.
"Big top. Tomorrow.
Noon."
Bozo half strutted half staggered his way off to the cigarette machine,
Bergerac's strained eyes met with Genevieve, slumped in the mud.
“Genevieve!”
He wept as he dragged his body closer to her. Reaching out his hand, it
was if the physical closeness enabled him to feel her sorrow with a greater
intensity. The tears were now coming so thick and fast they made a half decent
attempt at washing away the grit caking his features.
“Why can't you remember, Bergerac?”
Bozo returned and hoisted her over his shoulder.
As he began to carry her back to the trailer, Bozo turned. He aimed a vicious
kick in Bergerac's direction, knocking the clown backwards into a pile of
lukewarm camel pat.
"Do you think I'm silly?" Genevieve called.
"For what?"
"For thinking it'll be easier once I know?"
And with that the door to the trailer shut.
And with that the door to the trailer shut.
A few moments later Bozo opened the door and mouthed something to
Bergerac. By the frequent snarled formation of the letter “F”, the only facial
movement distinguishable from 300 feet away, he could only assume it was an
intimidation. The door was then slammed shut.
Bergerac crawled back to his trailer. Hunching himself in the two by
three, damp ridden shower cubicle he let his sorrow wash over him. Each gasp he
took drew green mould spores from their birthplace to the dark hollows of his
lungs causing him to choke and splutter. His energy drained; Bergerac was
rocked to sleep by the angry shouts of his colleagues, ironically requesting he
keep the noise down. As their half empty beer cans beat a dull lullaby against
the static trailer's thin walls, quite suddenly, he fell into the abyss of a
sorrowful sleep.
Bergerac
approached the big top. As he passed the stage hands, having their pre lunch
cigarette, his ears caught a muttered rendition of 'Thunder and Blazes'.
“Da, da, dada – dada, dead-clown-walkin'...”
“Yea alright lads. Not heard that one before.”
The men coughed as they laughed out their last drag.
“Dicks.”
Walking into the main ring to the cheer of his co-workers, Bergrac
turned and contemplated running back out. The corridor he had entered from was
now blocked by a small elephant.
Casting his eyes around the arena, Bergerac's gaze fell upon Genevieve
who was sat, quite alone, atop one of the plinths of the high wire. Her eyes
had never left him since his entrance. He raised his hand. She wiggled her
fingers in reply. Shadows began to seep from the footlights swelling across the
canvas tenting of the arena. Bergerac turned and was caught off guard by a
cream pie to the face immediately followed by the impact of a fist.
“You cock!” Bergerac raged. Pulling off his false nose he pelted it at
Bozo and caught him in the eye.
“I’ll fucking
‘ave you!” Bozo’s breath reeked of whiskey, rum, cigarettes and beer.
“Alright then you fat, useless piss head. If you think you’re hard
enough, then roll up and have a punt.”
“Even with this much of a skin full I will. Fuck. You. Up.”
“Alright then. Big man.”
Bozo shifted from left to right, rage bobbling through his shoulders.
“I heard you’ve got a small di-.”
Bozo charged head down, fists out stretched, screaming. Swiftly Bergerac
slipped out of the way. Bozo ploughed head first into the guard rails. Bergreac
took advantage his opponent being trapped between two of the rails and began to
slam the lower half of a seat, repeatedly, on his head. He didn’t notice Bozo
slipping a pork chop into his left pocket. Bergerac rested his arm and began a
firm assault of Bozo’s buttocks with his foot.
“What exactly qualifies you as better than me, ey?!
“Because I’m smarter than you think.”
Bozo howled in reply. He clicked a wireless remote he’d concealed in his
pocket.
The crowed roared as the boom of cannon fire rang out across the arena.
Bergerac turned to see Simon The Wonder Dog hurtling through the air toward
him, teeth bared. The dog landed with practiced precision and locked his jaws
onto Bergerac’s left thigh.
He and Simon were slammed into the wall of the band stand and held
there. The pressure trickled to a halt. Simon shook himself down and jogged
off, pork chop in jaw. Soaked, Bergerac caught his breath. Bozo had taken
advantage of the distraction Simon had cause. He sat grinning at the controls
of the circus’ tank. Three years ago G&G’s Circus had acquired the tank and
converted the machine gun into a water cannon. A pneumatic hum began as Bozo
charged up for a second blast. Bergerac began to sprint round the ring. Jumping
onto the candy floss cart he propelled himself alongside the cannon. Clambering
up he managed to dislodge Bozo. Dragging him to the floor he plunged Bozo’s
head into the sugar spinning bowl. Bozo yowled as the metal scalded the skin on
his nose. Reaching into his back pocket he retrieve an air horn. He let it
loose in Bergerac’s ear, who stumbled backwards. Bozo angled a stiff uppercut
which sent Bergerac flying over the guard rail and into the stalls. Bergerac
peeled himself from the bench, his jaw cracking like the rusty old pistons in
the circus organ. He started to climb over the barrier when he was hit again by
a the high pressure water blast. Bergerac lay in the dust. Weakly opening his
eyes he could see Genevieve up above him in the eaves. She was weeping. He
closed his eyes in resignation and waited for the final blow. Bozo approached
and knelt down. He wedged his knee on Bergerac’s chest.
“I’ve
been meaning finish you off. You’ve been playing dumb all this time. But you
know don’t you? Even though you’ve kept quiet. You knew I had it in for Gerry.
You knew I was going to do it. You knew I was going to kill him. And you just
had to try and be a hero.”
Genevive wailed from her plinth high above the ground. She staggered
toward the edge.
“What? Fuck. What’s she doing here?” Bozo laughed nervously, “Y’all
right babe?”
“She's going to jump!”
The cry came from the audience. Immediately they rose to their feet,
respectfully removing their hats.
“Genevive! No!” Bergerac lifted
Bozo’s knee slightly from his chest. “Listen it's me.”
The crowd
paused to listen as Bergerac's accent became decidedly less French. “I lied.
For so many reasons, love. But please. I didn’t mean for this. Please come
down.”
“Gerry?”
“I just needed time to work it out. He was trying to kill me. I needed
to. I don’t know. It’s all such a mess.”
Genevieve stopped. Bozo stared in disbelife.
“Gerry is it really..?”
“The lion’s mangled my face. They killed Bergerac. He tried to save me.
But I didn’t think you’d want me. Not like this. It’s so bad. I mean, bit of
pan stick and no one noticed it was me.”
Hiccupping violently causing her who body to jerk, Genevive lost her
balance. Gerry screamed. A sudden rush of power to his spasming forearms
enabled him to push Bozo down to the ground. Gerry bolted toward his plummeting
wife. A wave of terror swept over him as Genevive's shadow descended across the
stage lights. As he turned to look up he stumbled backwards. Gerry's stomach
lurched as Genevieve's body jerked to a halt, snapping back mid air against a
taught trapeze wire.
A gasp rang out across the crowd. Genevieve's confused wail followed as
she was swung back across the arena, upside down, the high wire tangled around
her leg. Gerry stood and began to hobble his way towards the trapeze ladder.
“Genevieve, don't worry. I'm so sorry.”
“I might not have finished you off-” Bozo grabbed Gerry's collar with
one hand and pressed the cold steel of a throwing knife against his gut with
the other.
The rush of blood to her head caused Genevieve to feint, her dead weight
loosening a further coil of wire. A taught crack rang out and the entangled
trapezeist swung down a further few feet toward the ground.
And all of a sudden Bozo was gone. Or at least his head was. Gerry stood
and watched the knife twitch in the hand of the decapitated clown.
The unconscious Genevie’s body came to a halt. Her hair brushing gently
across Gerry’s leg. He worked the bloodied cable from her ankle and released
her. Cradling her in his arms he walked wordlessly off to the first aid
station.
All had fallen silent. A small sniff and the impact of a toffee apple
upon the sandy pathway drew the crowd’s attention. A couple began rushing their
children from the main entrance, where they had happened upon the gory scene.
After silently and efficiently piling into their vehicle, four people, who
would now never have an irrational fear of clowns, drove off into the sunset.
Hey Katie, I enjoyed this story a lot, and I'd really like to know more about the characters and their relationships with one another. It's great that, in such a small space, you're able to create such a compelling premise - that of a circus devoid of its ring master. My curiosity was piqued by the underlying themes of bereavement and societal breakdown, within the microcosm of a group of circus performers. It's a tight-knit community, and the removal of a unifying force, that of the ring master, can obviously have disastrous consequences. It'd be great to see you develop these ideas further and I'm looking forward to seeing how you do this in the second half of your piece.
ReplyDeleteAs a writer, your descriptive powers are your strongest attribute by far, and some of the imagery in this piece is equally fantastic - I especially liked the final image, in the final paragraph, 'Bergerac hunched himself in the two by three, damp ridden shower cubicle and let his sorrow wash over him. Each gasp he took drew green mildew spores from their birthplace to the dark hollows of his lungs, causing him to choke and splutter.' Really lovely stuff!
That being said, in this particular story, I though that there are times when your use of description gets in the way of the narrative thread. For example this paragraph: 'Bozo seized Bergerac by his comedic-ally sized lapels and holding him in a ogre like grip, began to shake him. The kinetic energy forced through Bergerac's lame body caused the squeakers in his boots to work overtime as the knocked together, his feet dangling a clear foot off the ground.' The action might be furthered if instead you simply said 'Bozo seized Bergerac by the lapels of his jacket and lifted him into the air, shaking him like an empty maraca.'
Sometimes a more simple, straightforward sentence is necessary to convey action and movement in a way that a longer, more descriptive sentence cannot. I think it was Voltaire was said that adjectives are often the greatest enemy of the substantive - and he's right, there needs to be a balance between sentences that describe and sentences that push the action forward. The added bonus of using fewer descriptive passages is that, the ones that remain are more likely to be seen and appreciated, as they are not surrounded by sentences of a similar structure.
In terms of grammar and spelling, there are a few little bits and pieces to consider:
ReplyDelete1. Your first paragraph uses present participles (ing words) six times over the course of two sentences – for variation, you might want to consider revising this
2. Your use of punctuation with direct speech could do with a bit of tidying up. For example, if a sentence of direct speech ends with a full stop, then the Next sentence should begin with a capital letter. Similarly, if the sentence continues after the speech marks, then you should use a comma rather than a full stop. '“What a cliché, a sad fucking clown,” the lion tamer jeered...'
3. Possessive pronouns when you're speaking about something belonging to an inanimate object, you don't need an apostrophe in its – 'The rainfall began its attempt...'
4. '...valleys of sandess...' should be '...valleys of sadness...'
5. 'down pour' should be one word
6. '...so many binge drinker's vocal chords.' should be '...so many binge drinkers' vocal chords.' because you are referring to a gaggle of binge drinkers.
7. 'Too petrified too look his attacker in the eye...' should be 'Too petrified to look his attacker in the eye...'
8. 'karma-tic' should be 'Karmic'
9. 'The heckling from the crowd, once loosed...' should be 'The heckling from the crowd, one loosened...'
There are also a few points where words appear to be missing:
'Shrieking she ploughed herself mercilessly into the mud, as if to bury her fragile .'
'Distracted Bozo dropped his fists, sculpting one into a gnarled aggressive point, he turned calmly out of the hold of his '
Your characterisation is spot on, as usual, and your sense of place is very vivid. The sense impressions (the smell of popcorn ground into the dirt for example) are great and I got a very strong idea of the scene itself. It's a tough thing to get right, but you've really nailed it here. I think more sound impressions (the calls of the animals in cages, or the music from the big top) might serve to further cement this scene in the mind of the reader. I can't wait to read the concluding part! -x-
Ah thanks Leanne, your point that the action sections needing to be more concise, helps a lot. I think this is what I am unhappy with as a whole in this half and the second. But I didn't notice until you pointed out thank you!
ReplyDeleteI really don't know why I have such a problem with missing out words. I think on this occasion copy and paste is to blame... I definitely remember finishing those sentences!!
I have a pretty good ending planned so I will have to worry about that less than I usually do. This will give me time to focus my energy on simplifying some sections in this half and the next. I really wanted to keep it down to 3k (as a whole) words so simplification will assist me greatly.
Comment coming your way this evening.
Ah! I can't wait to see what happens in the end! -x-
ReplyDeleteI really need to read this over again and again a few more times before committing to a comment that might help. I write complex stuff and perhaps for you this isn't, but I found myself getting lost in ways that didn't quite merit certain reveals. I'll leave another comment (quite a lengthy one) this Sunday. I shall give this tale another chance!
ReplyDeleteThanks John. It's ok if the story isn't too your personal taste, you can say you don't like it ;) Please leave me an objective/constructive comment(long or short) and I'll be pleased as punch! Let's get one of our debates/long conversations going! :D
ReplyDeleteHi Katie,
ReplyDeleteI'm glad you've extended this story, it's great to be able to read the full narrative arc! If In fact, I would actually encourage you to extend the story even further. I think that the action comes in too quickly. What I would suggest is to add a section between the first scene and the final big top scene, to improve the pacing and slow down the story in the mid section. At the moment ,your story feels a bit like a runaway train. All the action is fantastic, but I think you just need to break it up a little bit, so your reader isn't overwhelmed by it. Maybe have a small section where 'Bergerac' is reminiscing about intimate times he's had with Genevieve. This would then serve to add some intrigue (were Bergerac and Gen having an affair behind her husband Gerry's back?) before the big reveal at the end.
I also thought that there needs to be a more gradual build up of tension between Bozo and Bergerac in the first scene. More of an exchange of words, more evidence of Bergerac trying to keep his emotions in check, and of Bozo goading him, before the anger boils over into a physical fight. This, again, would build tension and improve pacing. It would also help to further establish the intense rivalry between the two men.
I very much liked the strange set pieces - especially the tank that shoots water. The circus is such a great setting for a drama of this kind, and you've managed to balance the comic and the tragic very well.
While the characters of Bergerac, Bozo and Genevieve were rounded, I found it hard to believe the motivations of the character Bob. One minute, he's bullying Bergerac, the next minute, he's defending him against Bozo. To make him more believable, either make the bullying at the start of the story less harsh, more like gentle friendly teasing, or get rid of the part where Bob tries to defend Bergerac.
The only other thing that I found a little bit tricky, was your overuse of the possessive noun form. The story is only six pages but I counted thirty instances. Perhaps you could consider restructuring some of your sentences to avoid this. For example: "Gerry's stomach lurched as Genevieve's body jerked to a halt, snapping back mid air against a taught trapeze wire." could instead be "Gerry felt his stomach lurch as Genevieve jerked to a halt, snapping back mid air against a taught trapeze wire."
I'm not suggesting you change it in every single case, but I think, if you change it across some of the instances, there'll be a better variety in your writing.
ReplyDeleteLooking forward to reading your next piece :)
Hello Kathrine! I'm pleased to have finally read your story in it's entirety. It's good, and I think that the ending you've added contributes a lot to my appreciation, big time.
ReplyDeleteI see the actions of characters when you write and I felt the tension build and fall when you desired me to. For example:
‘Bergerac rose and made a move to console the widowed trapezist. He was blocked by the bloodshot eyes of his rival. Genevieve's open wailing mouth was swiftly plugged with a quart of gin.’
Genevieve forcing the drink to her mouth says more than her just standing there in shock and being silent. A novice would have done this. Thankfully, you gave us a telling action. Excellent!
I agree with Leanne: your description is your greatest weapon, only matched by your core story ideas. It would be tempting to let the premises you present do all the work. I for one have been guilty of that in the past and so, reading your work (and it is work you've put in) and enjoying it beyond the initial idea raises the bar on my own descriptive discipline. I can only think that I tackled this story after a busy period when I lacked the concentration to appreciate the pathos and diligence applied. Well done!
Upon re-reading the tale, I found that tell-tale signs of Bergerac’s real identity have been seeded throughout:
‘Bergerac's ears had pricked at the mention of Gerry, the circus recently departed ringmaster.’
Naturally, my sadness for Bergerac heightened upon my scan though before posting, Feels good to write a tale that repays the second time reader.
The medical metaphor for her suffering in juxtaposition with the fate of the circus is marvelous!
'Genevieve had taken the death of her husband horrendously and in her current state showed no sign of any kind of recovery. The state of G&G's Circus was not much better; the stalls as barren as a widow's heart, the field as saturated and unserviceable as her liver, and the staff as lead upon the path of self destruction as she.'
I favour continued metaphors like this and wish I had a natural flare for them. Do you write them into your first draft or do you insert them later? I noticed that one of your comments alludes to a fair amount of 'post-production' ie. cutting and pasting. Tell me more of your technique please :D
This next part is great as a foreshadowing of the final confrontation as both are pushed through the lens of entertainment:
‘As it became clear that this was not just another admissible alcohol induced confabulation, circus folk began to gather. For once in the three months since Gerry's absence, something bearing a resemblance to entertainment was taking place within the grounds of the circus and the excited murmer of the crowd began to build.’
Why wasn't Bergerac's entrance into the Bigtop marked by the audience? I think they would have reacted to a new player entering the arena and perhaps him falling over would elicit laughter? It could be an actual trip-over moment for us and Bergerac but misunderstood as entertainment for the audience. After such an event, you could have the audience's misinterpretation of the whole fight add to the pathos and thus, we'd feel more for Bergerac after the reveal. Not that we don't feel sympathy for him already, but I think you could add to the narratives appeal by taking FULL advantage of its unique setting,
What do you think?
I think this sentence...
"You're a fine one to talk Bob." Bozo spat, spraying him with a special brew of forty percent proof spittle.
This is a great sentence but might be improved by taking out the word spittle. It's not necessary and at the risk of being nit picky, I'd advise you to take it out so that you have more flow.
I hope these words help you make the story even more powerful.
Have a great New Year!