Faces streamed out of the darkness, laughing, shouting and
screaming as they were sucked past her line of vision by the darkness. They
seemed to her as never ending as the leaves in the autumn stream. Dawn ploughed
onward through the torrent despite the seizing and creaking of her legs with
every footfall. The ‘tick tick tick’ of her hand wound torch winding her
forwards, home. Exhaustion pulled her down as the spectre-esq faces pulled her
sideways, back ways, stretching her existence into the darkness, pulling focus
from her somethingness.
She looked away, up or down: Dawn knew not which. The blue
earth starred with cigarette butts and the black sky stubbed with stars. Her
perception began to spin on a counter axis to the globe.
Upon the path that lay before her, bunting lined jaws began
to close their bright triangular teeth, a mile wide mocking grin bearing down
upon her.
At first Dawn pulled her face pulled back in fear, as it
contorted it began to swell and distort, lumping and rearranging itself into a
grotesque hanging upon her skull. The creeping mass began to move down her
spine warping her body and swelling her figure impeding her movements as she
the struggle against the shrieking spectral torrent.
Clutching her coat closer to the once human mass now coating
her bones Dawn lumbered away from the jam pot street lights and made for the
tree line across the brook.
The smell of pine prickled across her numbing skin as the
torch led her on, revealing and erasing each millimetre it swept across;
existence closed in and confined within it’s soft spherical glow.
Tripping across the trees many feet, as they faded in and
out of being, Dawn heard the dancing voices grow fainter. Perhaps they were now
a memory of what had once passed through her sphere of existence.
Hulking onward though the squelching mud an unclean odour
began to seep through the confines of her internment. It dragged its way to the
olfactory receptors in her once ‘button’ nose, which now resembled more of a
hideous cauliflower. She beat the meat sacking hanging from the front of her
skull, to no avail, as the rank gagging sensation slew her to her knees
regardless of her protests. Convulsing and writhing she found herself half
buried in the fermenting undergrowth, wretched and clawing at the bulging
ground.
All at once the ground began to pulse and seethe spilling
out a swarm of toads ripe with primeval slime. Dawn sank despairingly low as
the ground gave way from beneath her, she grasped at tree roots as they sailed up
above her and water reflecting the shadows of night began to swell beneath her.
The torch still slung round her wrist gave it’s gears one final revolution and
stuttered into darkness.
Something from beneath began to rise up to the surface, the
horrific realisation dawned that it was a part of her own body. Swelling and
massing a blister of gigantic proportions broke the surface of the water
simultaneously floating the lower portion of her body and sinking her head
below the water level.
Chocking and spluttering Dawn’s human instinct to live was
the only thing keeping her above water. Heaving each breath she gazed upward
and caught sight of the moon shining it’s clean light onto the pool’s surface
soothing her enough to calm her unconscious struggle against death. The
moonlight guided her vision towards a small alcove in the side of the pit, made
perhaps by a rabbit in the base of the tree roots. Slowly Dawn, with her fat
blunt fingers, grappled her way up the side of the crater dragging alongside
the growth of gigantic proportions. Disturbed by the seismic tremors spawned
from Dawn’s flapping things, insects massed to the surface of the crater. In
search of sanctuary they began tripping down the ridges of her back, living
rain plopping into the pool below.
The pus filled monstrosity nipped at Dawn’s internal organs
as she lugged the dead weight the few feet to the alcove. Just big enough for
her clubbed feet, bugling through her strapped sandals, the hollow gave her
enough purchase to propel her mass out of the fissure where she collapsed,
exhausted, over the blister which was now the size of a small sheep. She felt
it ripple and boil beneath her, hot and angry, sapping away her strength.
Dawn gazed back down into the moonlight reflection in the
pool. The face of herself, as it had always been: slim, feminine with that cute
button nose gazed back at her. Lifting her hands to her face Dawn felt the
normality that had returned to her body. The relief and calm and joy and
ecstasy washing over her were short lived as realisation broke. It was still
there. The lump, having devoured her grotesque deformities, continued massing
and growing from her lower body, threatening to eclipse her entirely, pressing
her spine down into the earth.
Something new began to grow inside of Dawn. Hurt, anger,
sorrow, rage and desperation began to charge within her. Seizing the redundant
torch around her wrist Dawn brought it crashing down upon a rock, the plastic
shattering and leaving behind a razor sharp edge. Pinned down upon her back she
began to cut.
Hacking away she found that what anchored the cyst, to the
join between her hip and groin, was quite a small area indeed, around the size
of a five pence piece. Gasping with pain, her eyes streamed and her chest
pounded, the ulcer crushed adrenaline charged breath from her lungs which
caught in her throat.
Spent and shuddering Dawn severed the last tendril; she lay
in the moonlight gasping shallow swallows of clean air.
As the song birds of morning began to sing Dawn picked her
way back to the path, the stream tumbling with brightly coloured party cups
from last night’s festivities. The field was empty, last night’s clamour
leaving bunting tide marks across the ground, trestle table ruins and the
corpses of half eaten sausage rolls.
Crossing the threshold of her home, she felt a sickening
relief, so much so upon heading to the bathroom she vomited violently. Dawn sat
on the floor feeling out her somethigness,
she looked down at where the scar would sit. With the last of last night’s
terror removed from beneath her nails: it was over, it was gone. But in some
way it would always be there, a ragged reminder of a night spent writhing in
the dirt on her back.
Hi Katie,
ReplyDeleteI really enjoyed this piece – although perhaps ‘enjoyed’ is the wrong word – I certainly got a lot out of it! I thought you built up a great sense of atmosphere in the piece, there was a disorienting sense of confusion and terror, and this was wonderfully emphasized by the fast pace of the narrative and the lightening quick description, with metaphors and similes sailing passed at a disconcerting rate. You managed to convey a massive sense of fear and foreboding through the style of the piece, and the pacing seemed to fit the content perfectly.
I felt incredibly anxious reading this piece, which is testament to your skills as a writer. At first, I thought you were describing a really bad trip, and I was completely with you on that, but then, the idea of something other growing inside her was introduced and I was ready to run! I would have liked a bit more build up to that revelation, not an explanation as such, but maybe more about Dawn’s feelings and attitudes towards what was happening to her. There are some beautiful descriptions regarding how she feels physically – her face ‘lumping and rearranging itself into a grotesque hanging upon her skull’ – but it would be great to get some emotional responses to her predicament too.
There were a few grammatical things that just need looking at:
1. The first two sentences repeat variations of the word stream and the word darkness – it might be more effective if you changed these words to give more impact.
2. ‘The ‘tick tick tick’ of her hand wound torch winding her forwards, home.’ Hand wound should be hyphenated and there should be an extra comma between torch and winding. ‘The ‘tick tick tick’ of her hand-wound torch, winding her forwards, home.’ (Gorgeous image of being compelled home by the noise of the torch!)
3. The word ‘spectre-esq’ is a little clumsy; maybe replace it with ‘spectral’.
4. This chunk of sentence: ‘At first Dawn pulled her face pulled back in fear,’ is a bit unclear – perhaps revise it? ‘At first, Dawn pulled at her face, pulled back in fear,’
5. ‘Once human’ should be hyphenated.
6. There are a few instances where you’ve confused its and it’s. In paragraphs 4,6 and 8.
7. ‘Chocking and spluttering’ should read ‘Choking and spluttering’
Other than that, there’s nothing I can usefully add. I’m intrigued by this strange illness or transformation, though I think the story works well without any exposition regarding its source. But I think the fact that we don’t get any emotional connection from Dawn means that it appears to be something that has happened to her before? My best advice would be to add in some of that emotional reaction. Also, this story is the perfect place for more sense impressions – how does the water smell, how does the ulcerated skin feel, is it cold to the touch? All of these sensations would add even more depth to an already well-written piece of body-shock horror writing.
Did I like the story? No, not enough but then that’s the way of the circle and not being truthful about that would defeat the point. Can I help make it better? I hope so. Here are some of my thoughts as to how the few good bits help your story and how the many bits that hindered it could be doctored. Of course, feel free to disagree, ask for proof of my claims or/and find out my address from Leanne and send me dog shit through the post.
ReplyDelete‘Faces streamed out of the darkness, laughing, shouting and screaming as they were sucked past her line of vision by the darkness.’
In my opinion, not the most helpful of starts as the double use of darkness in what I think is a supernatural realm is unwittingly confusing. Using darkness for a third time in the same paragraph might turn some readers off as repeated words often ‘deaden’ the imagination you wish to inspire within your audience, you risk allowing their minds to wander or worse, remain outside of the tale – can’t be doing that in the first few lines so let us in - in any way you can - suck us into the heart of your plot!
‘At first Dawn pulled her face pulled back in fear, as it contorted it began to swell and distort, lumping and rearranging itself into a grotesque hanging upon her skull. The creeping mass began to move down her spine warping her body and swelling her figure impeding her movements as she the struggle against the shrieking spectral torrent.’
Aside from the obvious typo, this section of florid prose undid some of the damage of the earlier narrative parts. Maybe this should be your opener? Or perhaps, you can remedy the first paragraph with the same poetic nuances you’ve grafted quite expertly here?
It might be worth you editing this story again with sentence structure in mind. So lines that are identical in rhythm ought to be separated. Try some short. Have a go at chopping up the longer ones – keep my attention on the story not on the mechanics enlisted by you the creator.
I liked this:
‘Dawn sank despairingly low as the ground gave way from beneath her, she grasped at tree roots as they sailed up above her and water reflecting the shadows of night began to swell beneath her.’
But again, later on in the section – tadaah – darkness! Your favourite word. Try gloominess or black(ness). Get that thesaurus working for you as I think your style would permit more wordiness. Are you a fan of HP Lovecraft?
I think that without the context of emotional reactions to her transformation I am not obliged to care enough about your narrator. Having this:
‘Something new began to grow inside of Dawn. Hurt, anger, sorrow, rage and desperation began to charge within her.’
…is all well and good, but this is a slight reference to her temperament and it comes very near the end of a piece that ought to explore her fear much much more. Through her revelation as to the why this is happening to her or at least the grudging acceptance that she must get through the night, I would believe in the fiction. This reads like an underwritten event rather than a story.
We get no name, reasoning behind her predicament or whether she has been through all this before. She might be a good or bad person but I am given very little to go as to how I ought to view her suffering and again, since we don’t quite get enough as to what she feels about it (save some relief at the end), I didn’t connect with her in the way I think I was supposed to.
More to say in my next comment...
So here’s a check list for you:
ReplyDelete1) More emotional responses from your protagonist, some background IF you can get it to be part of the plot = we the audience care about the wellbeing of your character.
2) Keep us invested in the story as a believable happening by not repeating words. Obviously repetition is a great device but if not used consciously will only invite my attention out of the narrative. I shouldn’t be allowed to think of making a sandwich or what else I could be doing with my time. Sounds harsh but this was my thinking up until the third paragraph, a stark contrast to your previous Circle offering.
3) I wanted more of a sense of where I was. Leanne has noted the absence of senses…we only get what your character sees and since her setting is so untrustworthy I feel an opportunity to emphasis smells and sounds has been missed. Your setting is silent to me but now, hopefully, you might think about such aspects and choose to share them.
I’ve often found that I am so wrapped up in transcribing an idea, the details that help render it for others are not given the revelation they deserve. Is this an early draft? If it is then I’d welcome a resubmission for next uploading (Sunday 30th September) as I think your previous piece was despite its flaws more aware of taking other people along with it. This piece might read better in first person as that perspective would beg for you to describe sounds and smells. It works for me anyway!
I want that last paragraph to mean something to me because it is so well-worked and crafted. Had you given us a protagonist to emotionally root for then your last section. Understand me, it's very good as far as conclusive endings go, just needs to have more of an internal story to conclude - this was all plot, an ambiguous one at that. I want the tale to hit the bulls-eye rather than hitting the outer rim of the board.