Wednesday, 3 October 2012

It Came From Outer Space.


A busy week in the office often saw itself out, sat in the cellar bar of the Westminster Arms, with Imelda Montague soaking in a glass or three from the speciality wine menu. Switching off however was far from her mind. While Miss Montague worked 9 to 5, Monday to Friday, as a researcher in the houses of parliament, the rest of her waking hours were applied to her full time pastime: people watching. Nothing excited her more than the lives of others, so much so her own social life was comparatively non-existent none-the-less, tracking and documenting the lives of others was to her a natural impulse that could not go unanswered.

From her usual spot, strategically placed in the corner, Imelda could survey most of the room and have an excuse to walk across the space to either the bar or toilets, in any given direction, should someone in particular warrant a closer inspection. Initial assessment consisted of what a chat room troll would term 'a/s/l' (age, sex, locality) then a wider synopsis of their general appearance, clues to their profession, habitual behaviour and relations with others. Ultimately they would be sorted into one of two categories: Person/s of Interest and Importance(which Imelda shortened to P.o.I.I and those who were of no interest (for whom there was no abbreviation).

Stood at the bar, supposedly waiting to get served, next to particular P.o.I.I, Imelda tried her best to look unapproachable and non plussed by the surrounding conversation. Discovery alone would be disastrous but the idea of a human interacting with her on a personal level churned Imelda's innards. The P.o.I.I in question was a highly respected barrister his companions for the evening were no less than five call girls. The women, unassuming to the untrained eye, gave away their true nature to Imelda almost instantly. One had revealed herself by accidentally producing both her personal and work phones, her embarrassment and haste to hide the personal mobile had indicated she was not one of the legal cohort. After all nowadays it really wasn't all that uncommon to have a mobile provided to you by your company and to simultaneous give in to the gravitational pull of the latest handset for your own personal use. Each of them had well tended hair but clearly too well and recently tended for Imelda to believe they each spent the day doing anything as office related as their off the rack suits attempted to suggest. The list of facts to be documented went on, Imelda had the uncanny ability for total recall of each minute detail saving her the trouble of a note pad or dicta-phone.

Typically on arrival home, to her small serviceable apartment, Imelda would spend the late evening and early hours recording details on her computer and managed on only a few hours sleep before she was out again. 'There will be a lot to document this evening.' revelled Imelda internally, but that would be the end of it all. No Samuel Peeps style diary to be left for future generations, no scandal to be broken, no black mail bounty to be paid, no suspicious spouses to be informed, no behaviour to be emulated. Imelda served only to observe, process and document. Unbeknown to Imelda however, tonight would be different.

So Miss Imelda B Montague stays for another round.” teased the barman, flirtatiously reading the name from her credit card, which had been carelessly left on the bar. Imelda started. Her mouth began to gape, she stood stunned for a second, it had never occurred that someone might become the surveyor and she the subject.

A glass of Black Estate Chardonnay.” she flustered.

Large?” questioned the name tagged 'Brad' raising left his eyebrow precisely 0.3 centimetres. This specimen had particularly stretchy skin, Imelda noted, giving the appearance of youth until a bombastic facial movement was deployed causing the skin to wrinkle faster than Egyptian cotton on a restless night.

175ml with suffice, thank you.” she answered, coolly adding “Brad.” after a short pause, in an attempt to assemble at least a small feeling of superiority.

Imelda edged the corners of her mouth upward nervously, stuffing her card and purse back into her designer satchel. She then bowed as gracefully as 4.6 units would allow back to her corner, her cheeks glowing so hotly they illuminated the floor beneath her. Only when she reached her spot did she realise her last 30 minutes of voyeurism had been wasted. The P.o.I.I she had been tracking was now on the opposite side of the room, leaving her with no subtle path to get within earshot.

Imelda's hastened flight from the barman's advances had spilt the contents of her purse inside the satchel. Existing as being of immaculate order, Imelda set about returning harmony to the chaos slowly expanding inside. Her finger caught on something hard, something foreign and unexpected within the bag. Closing her fingers around it Imelda realised the object had caused and incision on the tip of her left ring finger. On closer inspection a flap at the end of the finger had been opened up, fluid was leaking out down her hand. Ignoring the pulsing sensation, red hot and glowing, Imelda fixed her minds eye upon the object that had caused the damage.

The centimetre long cylindrical tube was a construct of mainly glass with each end capped in moulded silver, to all intensive purposes it resembled your everyday fuse, without the paper wrapping. Inspecting the small surprise Imelda could have sworn a light flickered brightly before burning out but she assured herself it was more likely the bar lights catching its reflective surface. What she couldn't figure was what had caused the object to absorb such heat, a heat so intense it was already causing a red mark to radiate out across her palm.

Downing her wine, to numb the sharp pulsations in her hand Imelda made for the stairs to street level, dropping the now cooling 'fuse' into a compartment designed for lipstick in her bag. A short walk away on Bridge Street was a pharmacy, there was no way she was going to ask that pervert at the bar for help. She knew his sub type classification and that he would most likely see a damsel in distress with an open invitation to her bedroom.

The cool November air hit her as she departed her haunt four hours early, her head already throbbing from a quarter of her usual intake of alcohol. A glance at her Blackberry told her it was 6.37pm sufficient time to reach the shop before closing. Gazing up the street, the night was as pitch as the light pollution would allow, Imelda sited this as the reason she found it so hard to focus on her steps ahead yet the thought that something else was causing her nauseousness nagged her incessantly.

Making her way down Storey's Gate, toward Great George Street, Imelda, for the first time since conscious thought was activated inside of her, failed to notice the people passing by. Adulterers, MI5 agents and secret squatters all passed underneath the radar as she stumbled not knowing if the pounding in her ears was caused by her headache or increasingly heavy foot falls. She was stepping so heavily she swore ten paces back she had actually cracked a paving stone. Imelda assured herself it was most likely just the wine, usually she didn't drink New World, she made a note to never again.

Stopping abruptly at a crossing with every expectation of an emergency vehicle making an appearance, Imelda was surprised to be buffeted by the shoulders of other pedestrians into the road. The lights and sirens were seemingly something only she was experiencing. Having resided in the city her entire life she had grown accustomed to the London air however this evening she felt as if the pea soup of the Victoria era had rolled in with hopes to drown her. Soot and the burning smell of exhaust fumes seemed to cling onto the insides of her nostrils. The acidity of the wine she had drunk began to creep back up her oesophagus as heat began to ripple up her arm and radiate out across her body.

After what seemed a marathon, Great George Street finally became Bridge Street and Imelda, wheezing and drenched in her own bodily fluids, stumbled through the door of Boots. The heater inside the door made her reel, jetting scorching air over her, her skin tightening as the sweat crusted over her pores. Despite moving away from the street the sickly smell of motor oil clung to her sense mixing with the nauseating aroma of TCP and her own body odour.

Stumbling towards the worried cashier, plasters in hand, Imelda tipped the contents of her bag onto the counter, too exhausted to find her purse any other way.

Oh gosh,” fussed the young cashier, “you don't look too well. Did you know we offer annual flu shots?”

By this point Imelda was hunched over the cash desk gasping in the air, as if it would be any cooler from below. Sweat was now running off her face and dripping onto her leather brogues, surely she was just hallucinating but the droplets seemed to instantly evaporate and there was a suspicious smell in the air, like over cooked beef. Spotting an all in one flu remedy Imelda swung her arm in an attempt to collect a batch. After knocking the majority on the floor she managed to heave a packet onto the desk where the cashier’s voice boomed on, sending well meaning reverberations through Imelda's eye sockets. Advice on dealing with flu rumbled round the inside of Imelda's skull and tripped down her spine as she clumsily mashed her pin number into the key pad.

Collecting her receipt from the babbling assistant Imelda watched as the paper began to turn black with the outline of her hand. She began to ask why this might be but stopped as she looked up to see the young girl crying and clutching at her fingers which appeared to have been blistered.

Imelda turned to leave upon hearing an older staff member asking the cashier
Amy dear, what is it, what's wrong?”

Having stepped into the store on a bitter evening, Imelda would have sworn she stepped out into Death Valley at high noon. Her vision became overexposed and blurred as she struggled out of her coat, not even this gave her relief as her skin felt like molten latex clinging to her muscles. Tearing into the box of plasters, Imelda noticed her arm up to her elbow was congealed thick with fluid appearing almost black, from her earlier injury. Fumbling with a plaster, she gagged as her arm radiated a salty metallic odour.

Having no luck fitting the plaster from her current position slumped against a wall Imelda pressed on further down Bridge Street. Upon reaching St Stephen's Tavern she practically fell through the door past a group of well dressed construction designers. The sound system was blaring out ELO's hits to drown out the guffawing of the sloan rangers occupying the bar area, only adding to her disorientation. Imelda's legs gave way as she was overcome by the odour of gin and ale, falling to the carpet as her senses began to drown in the cocktail of spilt drinks and the remnants of smoke, soaked into the fabric cira July 2007.


...so I said to Tarquin... Fuck, what is that smell?!” exclaimed a tall architect to his companions who were now roaring with laughter. “No seriously, I mean what is that smell? Smells like a dead body in a burnt out car.” The laughter died down and was replaced but wrinkled noses and repulsed frowns. Their loud and high pitched complaints to the long suffering manager were snuffed by a loud and earth shaking crash from above.

From her position slumped on the floor Imelda was showered with glass shielded partially by the tables and chairs that were being upset around her in the mass panicked exodus from the bar. The rumbling continued shaking light fixtures and lumps of musty smelling plaster down from the celling. Imelda in her half conscious state could smell the alarming odour of melting carpet however she feared this was caused by something much closer to home than the commotion on the upper floor. The impulse to escape was growing duller inside, her head so thick with heat even her nose was burning the air she feebly sucked in. Her limps were increasingly heavy, skin sagged and dripped off of her lead weight bones.

Had she not by this point passed into deepest oblivion Imelda may have found it hard to discern it it were thunder or footsteps descending the staircase. And if she had been functioning correctly she may even of been able to translate the alien conversation reverberating through the atmosphere.

Really, Quadra, I thought you passed your spacecraft operation with 3 minors. Your parking is terrible!”

Just shut up Zned. Look there it is. Another fuse blown. Looks innards are liquid, only got the warning signal 5 clicks ago! I thought you passed your reconnaissance engineering module with the highest marks in your pod?”


Zned had no answer, instead just stood in the wreckage of the bar their craft had created.

The clapped out sound system slain out upon its side, jarred into repeat, played back the same tune the lyrics echoing out through the desolate ruins of the St Stephens Tavern.

I met someone who looks a lot like you
She does the things you do
But she is an IBM”

5 comments:

  1. Hi Katy,

    A really interesting tale from you this month. I have a lot of time for your prose style, and I really like the unusual narratives you weave, which always keep me guessing. There was a lot of ambiguity here though, and I felt that maybe the story might benefit if a few things were made clearer.

    Firstly, your descriptions of Emelda (amazing name btw) suggested that she might be other-worldly. The fact that she has such excellent recall and powers of observation suggested an alien to me first of all. Someone who was viewing humanity as a separate entity but was quite apart from it. This was compounded by the way she describes the wound as leaking 'fluid' rather than bleeding. And the reference to not wanting to engage with other humans, it all seemed to fit.

    What then confused me was her relation to the other two aliens - are they part of the same race? And what is the significance of the strange object in her handbag? Is it something that the other two aliens planted on her?

    I sort of felt like there were too many unanswered questions here, and it left me a little unsatisfied.

    Having said that, your descriptions are great and frequently incredible. The description of the bartender's wrinkled skin was a particular highlight for me.

    A few niggling things:
    1. The first paragraph contains two 'howevers' perhaps swap one for 'never-the-less' or 'in spite of this'.

    2. In the second paragraph, the phrase '(whom which Imelda made no abbreviation for.)' should be changed to '(for which there was no abbreviation.)'

    3. Nowadays is all one word.

    In the first paragraph, you give us a straight forward description of Imelda's job, and I think it might be better if, instead of telling us what she does for a living, you show us what she does, perhaps by having her consult a diary engraved with the office name. Just so that it doesn't feel like you're giving a factual account of the woman, more that we are observing her, as she observes others. Give clues rather than statements.

    I particularly liked the scene that involved your protagonist 'running away' from a rising sense of panic. You captured the emotions very well and the pacing is excellent. Will this story be extended at all? I'd particularly like to know what comes next!

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  2. Hey there. Another fresh writer for me to comment on this month. Goody!

    As I've not commented one one of your pieces before, or perhaps read any of my comments to others from when I used to do so, you may not be aware of a particularly bugbear of mine. I feel I need to apologise in advance, but for some reason it is one of the things that really tweaks me, so I thought I'd get it done and out the way before moving on: Specificity. By that I mean giving specific reference to real world things that bring nothing to the piece if we do or do not know them as a reference. As your piece is full of them (names of wines, measurements, street names, products, etc) for me (I'll emphasise that as might not be for others) it drew out of the story rather than in. As Leanne mentions/questions, if you are making this girl an 'alien' be that by species or socially through her voyeurism, this over-analyticalness works in your favour, however by the tenet 'less is more'... Less would work better than more, highlighting these quirks rather than them being lost amongst all the others. Anyway, something to think about, now I can move on.

    Overall an interesting piece, turning my ideas on their head with the second act twist. You might even want to keep this more of a secret by giving an ambiguous title, as I was at least a little expecting something 'scifi-ey' and it would have had more impact if I hadn't been. Most people can identify with 'people watching, so this is a strong, fun trope to go with. I think you can have expanded on this, even just with cursory dismissals of why people weren't interesting or worthy of her attention.

    Overall, my suggestion is to go for simpler sentences. You have an excellent and evocative vocabulary, but sometimes it can feel like you're drown in some sentences. My brain began to get out of breath as I read :-).

    The switch to desperate flight, and so overruling her normal instincts to pay attention to the world around her, was a great change of pace. Her desperation and fear were strong, and the tone was completely different, leaving me with mirrored feelings of panic and worry. I did have to go back and re-read a few paragraphs to follow the flow of the plot, but I think that might have been due to me reading ahead too quickly :-). I think you could have also highlighted/blurred the distinction between something untoward happening to her and that fact she was drunk, it would have made the realisation that something was actually wrong all that more powerful.

    The aliens at the end are comical in counterpoint to what is happening to Imelda. I like that, it shows their disregard for the consequences of their actions, that they are truly 'alien'. The whole story in fact, leading to this point, reminds me of something Douglas Adams might have thought up, and that can only be a good thing. Again, here, specificity marred things for me slightly, with the inclusion of the aliens names - Name's in speech can be very awkward as we so rarely do it in real life.

    You have a very interesting writing style, and as I realise some of my comments seem negative I'd like to point out what I'm saying is not meant to be criticism, only suggestions to make a good piece stronger - I recognise some of the traps I have fallen into in your writing and so offer tips and ideas. Simpler/shorter sentences, less specificity, choose either internal monologue or 'spoken style thoughts', and repeat speech out loud back to yourself to test whether it feels natural.

    As I said, it feels very Douglas Adams or Grant/Naylor style old-school comedy scifi. Reminded me of a different short story I read years ago that I will attempt to locate for you. Enjoyed reading it, thanks.

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  3. Enjoyed this piece of yours Kate! This was an improvement from your last offering in that you have really tried to give us a greater sense of how your character is dealing with the plot. In your last piece the protagonist was living through a hellish experience without relating any emotional feedback to us. In this new piece however you have lines such as:

    ‘She was stepping so heavily she swore ten paces back she had actually cracked a paving stone. Imelda assured herself it was most likely just the wine, usually she didn't drink New World, she made a note to never again.’

    This story was fun to read and I was hoping for some social commentary upon my second reading. With only a few more moments of her spying and perhaps a longer interaction with someone at the bar and hey, she may have discovered that from a distance you only learn so much. The implications for future recon and how she might have to circumvent some laws for observing humans might draw more conflict out of the story. I guess that would have been the ‘why of the tale’ had I’ve been the one to write it. No bother though, just an idea should the idea be one you wish to return to and perhaps give more body.

    I don’t have a problem with specifty although Sim has pointed out its harmfulness in my own writing. Best to stay clear of overusing it (if the names of the streets were relevant to advancing the knowledge of the plot or the characters in it then fine, use them). Considering Imelda is an alien I figured there could have been ways to illustrate how different she is in her thinking. She wouldn’t have such a problem with the bar man, not in a way that would communicate her taking it personally. She is after all using the body as a vehicle. I think any experience that was offered to my vehicle would not be so off putting for me, the driver. In fact, you could return to my previous suggestion that Imelda should be so interested in understanding humans that she breaks protocol in how she chooses to interact. More friction between her and her status quo would afford you more drama. Depends how much you like the opportunity that your wonderful idea has presented you with I guess.

    Would like to know what you make of mine and everyone else’s thoughts? Would appreciate your help in making the circle a bit more chatty again. Nice one and good idea for a story! With more work it could most definitely be expanded and have some of its latent ambition realised.

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  4. Hey guys thanks for your comments, I wrote a big ole long comment back and then due to technical issues lost it, then due to personal issues didn't have the oumph to revisit.

    Yes I would like to expand the piece somewhat but i did find the month a little short to take it further at the time so I decided instead to find a middle ground, including as much of the elements as I wanted but not quite in the depth.

    Leanne, yes I would love to extend backwards slightly but I do like the opening in the bar so perhaps I should extend backwards a little way in? What do you think? I was considering a work email on her Blackberry - I could also utilize this in illustrating she never switches off. In response to your comment reference what exactly Imelda is - I think perhaps I worry to much about giving too much away and forget to cut the dangling carrot loose at the right moment.

    Further listening:
    http://www.youtube.com/watch?v=mb5TV7JUvzo


    Part of my inspiration perhaps will shed some more light on the piece.

    Sim: the specific references I hoped would purvey a more A.I side to Imelda. Since I did tie in emotions to her character I wanted to imply more robotic features/traits. I shall work to make this more explicit and perhaps sait your bug bear. Oh and no need to offer any form of apology for your opinion, I take it all as constructive. I am the first to admit I am a tad rusty when it comes to writing for others. Until I met Leanne and joined the Circle I had no audience, so my writing was very self serving! I'd love to read the short story when you locate it.

    John - I'm glad you found it a fun read. I tried to play a bit more with weighing up audience enjoyment while delivering the 'point of the story' Although as you say it is lacking a little on the exploration of people watching and social commentary. I felt it was lacking but due to time constraints I chose to send it out regardless, since I felt there was sufficient enjoyment factor for the piece to have a function.

    Thanks or your comments guys, I am working my way, all be it belatedly to commenting you all back.

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  5. OH and I take it none of you noticed the relevance of Imelda's initials (as read on her credit card) and the closing lyrics? *sad face* will perhaps play on it more. It was my favorite part. My small personal salute to Jeff Lynne and his recently re-recorded ELO album.

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