My job was a simple one. When the fight
for the possession of man's worldly goods became too vast for the
simplistic minds of the foolish rabble to handle, they would be
delivered to me for care, consideration and cataloging Within those
walls I was owner of naught, controller of all. From Golden Geese to
Jason's Golden Fleece then from Holy Grail's and Tablet's of Destiny
I, Mr Lynx, presided over them all. I knew each with such debased
intimacy, I almost repulsed even myself.
Even the fire that lined the dank stone
walls were stolen by man, a flickering animal fat scented insult to
their godly parents above them. And for what? Each time I passed them
I laughed smug with superiority, what fools I had thought those Heroes to be! Blatant acts of blasphemy – exile from paradise – for
nothing. No glory, no hope just the inevitable dusty shelf; baubles
of my infinite amusement.
Each morning I rose and pushed the
trolley of new additions through the eight hexagonal corridors which
comprised The Emporium of Disputed Goods, which radiated inward, spiraling down into a final inner sanctum. Each door way I passed I
would loosen my tie that little bit more and drew my handkerchief
even closer to my nose.
No matter how many times I walked that
path, I would never have accustomed myself the the stench of half
rotten flesh and formaldehyde. However, no matter how much revulsion
rose in my gullet I would press on each day. Like the sacrificial
lamb to love I was. Each night I would toast to devotion and each
morning I would rise and pray to the beat of desire. The name of my
altar was Helen. Her divine light of beauty drew my soul in day after
day.
The tribute I had brought her that
fateful day was a dagger of exquisite workmanship and frightful
beauty but little had a known, it was to be the implement of
destruction for my entire world.
I kept Helen apart from the other
bodies in the inner sanctum, their frigid blue green and cumbersome
frames were no suitable company for her heavenly fragility. I would
whip my duster quickly across their forms so I could better spend the
remainder of my time laboriously polish and and adorning Helen's
prismic coffin with only the most exquisite items that came into my
grasp. Each day I would swear in feverish whispers that I would
sacrifice anything for her, foolishly pledging myself to her beauty
and to serve her always. Each day I would seal the contract by the
way of a kiss upon her stone cold lips as I anointed her body with
exotic and seductive fragrances. On the lonelier days my touch would
linger on.
What a fool I was.
That afternoon in which the path to my
downfall was trodden, I was first alerted to the wheels of fate
turning the babies that lined the walls of the inner sanctum shook in
their formaldehyde. Ghoulishly rattling in their jars 10:1 to every
strike to the outer walls. Pulling away and closing the door of my
beloved's confine, I had struggled to catch my breath as the strikes
grew louder. Drawing a single breath I had hunched my shoulders and
looked warily around. And I had listened.
Either they were hitting harder. Or
they were getting closer.
I scrambled in my pockets, the delicate
blade I had brought for my adored fell from my grasp as the rhythmic
rise and fall of the war chant drew closer; crescendoing with the
sound of rattling bricks and splintering wood, then decrementing in
the high pitched scream of china striking stone. Scrambling with the
key to Helen's display case I paused only to look back, wiping the
moistness of fear from my eyes as I scrambled for the familiar curse
of Helen's gold cast key.
I looked down, spluttering my
frustration – had it been so I could see or that she wouldn't see
my tears? At that point I hadn't had time to decide – the clatter
of fallen armor and the cries of a few unlucky enough to cross paths
with a dismounted spear had confirmed to me that they just one
doorway away.
From what I recall it was at that point
that I knew my demise was at hand, there scrambling hysterically on
the floor by Helen's feet. It was just that I had not expected the
source of the malicious blow.
I turned my head to the heavens in
desperation. Joy ripped through my heart as I saw Helen standing
above me. But in one dreadful second I realized how that face could
have launched a thousand ships. The angelic contours that had once
defined her features were now a contortion of pain and rage, eyes
wild in a crazed sneer which drove a lance of dread through my
temple, paralyzing me where I knelt. Her chest heaved like Poseidon
's tempest and the delicate knife stood rigid in her cold clasped
palm, both watching my and hungering for my flesh.
Each space between the seconds that
past became increasingly more dreadful than the last. The speed that
the horror rose in my chest was matched only by the blood which pour
and the pain that ripped through my body. The delicate tribute I had
brought my beloved just that morning sang it's way between my
pectoral muscles. As I cried a blood curdling falsetto I was slit
from chin to groin. The strike of my heart now thundering to the beat
of the war cries of the Trojan and Spartan warriors, splitting open
the doors to the inner sanctum.
As her cold fingers peeled back the
skin from my chest as a child greedily tears the wrapping from a
lovingly prepared gift, questions never to be answered raced through
my mind. Had I not cared for her? Had I not provided her with all
that a woman should desire? Had I not loved her in the most complete
sense both spiritually and physically?
Through the blood and tears I saw her reveling nay wallowing in ecstasy – my skin slipping across her
lips and down her face, coming to rest upon her still having chest.
Her face, congealed with blood and madness she turned to me and that
sweet voice I had longed to hear, bitterly cried:
“I will not let them take me.”
It was in that instant that I realized
that I, in a haze of desire and the blindness of love, had foolishly
pledged my self to her and now here she was, to collect her debt. As
I began to succumb to the pain infesting the void where my skin had
once been, the last image that was seared into my memory was my
divine love drenched in my own blood.
I have much time to muse upon that day
and the images of Helen that still haunt my mind as I lie here in
some vast hall of Greece, some great palace overlooks a vast city. Do
not ask me which one for I had never ventured from my Emporium, my
haven, not even in my dreams, before that fated day. But even now I
am not myself, I am not he, not Mr Lynx, he has not left the
Emporium. Helen's ripped and torn skin is bound and crudely sewn
around my façade. Her delicate eyelashes surround my eyes which look
over the waves crashing just short of the horizon. Although my
stitches are ugly with congealed blood and wasting muscle fibre I am
surrounded by great beauty. Wreaths and soft blossoms line my cradle
playfully scenting the air in an attempt to drown my own stench,
exquisite cloths and the finest embroidery drape around the worst of
my misshapen limbs. Gifts, tributes possessions... useless. Now I
am doomed to lie here, owner of plenty but controller of naught.
Oh Kaite, I love a good zombie/undead hordes kind of a story – and when the zombie in question is Helen of Troy! Well, it’s a treat and no mistake!
ReplyDeleteYou have a lovely sinister build up here, and your characterization of the narrator, as the world’s creepiest caretaker, is fantastic. The idea of an unreliable narrator is always a tricky one, but you’ve managed to show us two sides to the situation: the fact that the narrator doesn’t believe he’s done anything wrong, and the external viewpoint that something very weird is going on with his relationship with Helen. I think the idea of diving straight into the piece, without really explaining how the Emporium functions, works well here too; it adds to the otherworldly nature of the place. Disputed goods appear and are sorted by the caretaker (and fiddled with, if they take his fancy!)
It works incredibly well in first person and we get a great insight into the workings of a mind slightly unhinged, perhaps from all this time spent alone with these inanimate possessions that he cares for but does not possess. Enough to make anyone go a bit batty!
The richness of the language here is exquisite – it’s always been one of your greatest strengths. I especially like the thirteenth paragraph, which begins “I turned my head…” Such intense imagery! Loved it!
However, at times, the pacing felt a little strange to me. I enjoyed your use of single, stand alone sentences – as these really emphasized the rising unease and fear in the piece. But the large final paragraph seems to diffuse a lot of the tension that you built up so well in the preceding writing. I really like the idea of repetition (owner of naught but controller of all, reversed at the end) but I think that the final paragraph could be re-written to retain some of the creeping dread of the rest of the story.
A few grammar bits and pieces:
ReplyDelete1. Holy Grail's and Tablet’s of Destiny: neither should have apostrophes. It should read “Holy Grails and Tablets of Destiny”
2. “…I almost repulsed even myself.” A stylistic issue here, but it feels like this utterance has too many modifiers. Try either "…I almost repulsed myself.” or “…I repulsed even myself.”
3. “Even the fire that lined the dank stone walls were stolen by man…” It should be “was” instead of “were” as you are referring to the singular fire rather than the plural walls.
4. In paragraph four, your first two sentences contain the phrase “no matter” – it might be better to change one of these, in order to improve the flow of the paragraph. Another stylistic thing there, and completely down to you.
5. In paragraph five, “…but little had a known…” should read as “…but little had I known…”
6. You also use the word “closer” twice in two consecutive paragraphs (paras 9 and 10) and I think it might be better to change the second one: “…as the rhythmic rise and fall of the war chant drew nearer:”
7. In that same sentence, the words “crescendoing” and “decrementing’” both feel a little clumsy. Maybe try this “swelling to a crescendo with the sound of rattling bricks and splintering wood, then ebbing in a high pitched scream of china striking stone.” Swelling and ebbing both have connotations of waves and the sea, which you might be able to play around with further too.
8. In paragraph fourteen, “…the blood which pour…” should read “…the blood that poured…”
There were also a few words that felt a little out of place for me; your language suggested an archaic pattern of speech in the narrator, which was great, but the word “babies” stood out for me as a bit too modern. I’d replace it with “babes” or “young ones” to feel a bit more authentic. Again, up to you.
In the next sentence, you employ my absolute pet hate: numbers! As a general rule, numbers and numeric concepts should be written out in full in creative writing, unless there’s a real need for them to be digits. It also helps those of us who are not familiar with maths to understand the meaning in something like 10:1. I mean, I think it’s a ratio of ten to one, but it’s hard to be sure unless it’s written out in words. This might just be because I’m not very good when it comes to numbers, but you always need to be making sure that you’re communicating your meaning clearly to your readers. I’d be interested to hear what everyone else thinks of this one?
My favourite bit? "As her cold fingers peeled back the skin from my chest as a child greedily tears the wrapping from a lovingly prepared gift, questions never to be answered raced through my mind. Had I not cared for her? Had I not provided her with all that a woman should desire? Had I not loved her in the most complete sense both spiritually and physically?" Utterly fab vivid, gory imagery!
Looking forward to next month's piece! -x-
Wildly imaginative concept. Truthfully, this tale is the most original you’ve uploaded. More like this please! It’s ironic in that I was chatting with Sim the other night over drinks, how the circle has become a little too safe – the preoccupation with being nice has settled in again. I was fully prepared to pick and pull your tale apart but can’t find much (apart from what Leanne has stated in her comment) to add/change.
ReplyDeleteThe language although at times cumbersome is full of the narcissism and sense of dread that comes with an archetype of such a tale. Were you influenced by any particular author or style for this piece? Suggestions please, as I would love to read more stories like this!
In fact, this story has a great sense of pathos and relentless driving energy…would you be interested in entering it into a completion or perhaps shooting for it to get published? I can see this in print very very easily.
O.K, now for the stuff I didn’t like:
‘I kept Helen apart from the other bodies in the inner sanctum, their frigid blue green and cumbersome frames were no suitable company for her heavenly fragility.’
Maybe I’m not supposed to like the narrator? I found him superficial in that the only reason he loves Helen (or think he loves her) is because she is beautiful. Got me thinking about Bella from Twilight and why she ‘loves’ Edward but that’s another story! I was intrigued by the plot and how he would meet some tragic end, so don’t think I’m saying that me not liking him hurt the story. I merely want to understand him more is all. If you could somehow imply that he is one of many custodians, that would allow me to not think less of the beings that had given him his position. How could they employ someone so demented? Perhaps as Leanne says, he has become this way over time? That seems right. See how much I like this concept? Me picking it apart shows just how much my story-mind wants it to be water-tight!
Really don’t understand the following sentence:
‘I looked down, spluttering my frustration – had it been so I could see or that she wouldn't see my tears?’
Completely agree with what Leanne had to say regarding the use of language:
‘“babies” stood out for me as a bit too modern. I’d replace it with “babes” or “young ones” to feel a bit more authentic.’
The subject of numbers:
Numbers ought to be written out as it makes for clearer prose. Ironically, I have to remember that one of my characters (who is a creative writer) breaks this rule constantly whereas I do not!
The main reason why I’ve delayed my comment for the story is Leanne’s statement:
‘I think that the final paragraph could be re-written to retain some of the creeping dread of the rest of the story.’ – Crimson Eblog
I for one can’t see how the conclusion can retain the sense of tension or even that it should? Care to give us a re-write of the final paragraph Leanne?
Finally, this Is such an original idea that I would find it downright frustrating that you didn’t show off other aspects of this world and its inhabitants. If you do have another story based in this reality, please share it. Share it soon.
Hey guys thanks for your comments and encouragement. This piece has been worked and re worked a lot more than my previous efforts so I am going to ramp up my writing speed so I can go back over things more before I upload for next month.
ReplyDeleteI am never quite happy with my endings. I will have a look over with your comments in mind. I really wanted to get in that he was now suffering the same fate as was inflicted upon Helen and also as is a supernatural tale, I like the idea of living on beyond "death" and not just telling a story from beyond the grave as a ghost. So showing the narrator as living dead is important to the wrap up. I am going to try and focus more on endings - perhaps find some tips from books/seminars ect - so if you guys have anything you could share that might help I would be grateful.
The narrator's name is Mr Lynx by the way, originally this was written in third person so his name slipped through the net on transfiguration to first person. And no you are in no way supposed to like him. I really enjoy playing with the idea of a dis-likable/untrustworthy narrator and I am glad to hear that you didn't exactly relate to him.
As to the rest if the world of The Emporium, yes I do have further ideas/characters, it's sort of a supernatural god/demi-god inhabited space. As for Mr Lynx's appointment as the Emporium's watchman - he's not so much a human that was employed but an imortal creation for the job role.
I don't have a particular stand point on numbers (except from in my first piece, I think numbers worked better there) so I will go with the majority and write them out.
John, I don't know if I am specifically inspired or my style is informed by one author but some of my favorites stylstically would be Neil Gaiman American Gods and The Blue Fox by Sjon. With Gaiman if you haven't already read American Gods, I would read Neverwhere first as you'll find it's not quite as good as American Gods but I am sure you'll love Gaiman's novels and want to read them all!! For themes I do enjoy a good horror short, I think I have mentioned the names of Poe, HP Lovecraft and MR James before but they're all good. There's one story in MR James Ghost Stories of Antiquity I particularly like "Canon Alberic's Scrap-Book" which I highly recommend. Currently, I'm reading Pet Sematary[sic] by Stephen King which is pretty fun!
Thank you for such an intimate and comprehensive comment. More like this please!
ReplyDeleteEndings. As long as you are aware of your theme then you can have a better chance of a good ending. What would you say the theme of this story is? Another rule I'd stand by regarding conclusions is that your main protagonist must be the one to resolve the tale. They are entrusted by you to carry our hopes of a resolution and even if your story ends with diffusion and ambiguity, your lead character must be the one to at least attempt it. Why? Well, we've (hopefully) formed an emotional bond with them, we trust no one else's motives to put things right because we have not witnessed them struggle, fail and then try again and again to follow things to a conclusion. There comes a moment where they are not reacting to their circumstances and are rather pushing situations and the people in them to ends they desire to come about.
Hope this is useful to you in some way? Would be interested in anyone else's opinion on the subject? Disagreements are wholeheartedly welcome!
Looking forward to those other ideas and characters you mentioned as the world you've created begs more investigating. I don't know of The Blue Fox by Sjon. Will have to check it out.
I've Re-read Neverwhere the other day and despite American Gods density, I found Neverwhere more user friendly and a tad more inviting. The only book of his I've not read is Stardust. Anansi Boys was pretty good too. The Dunwich horror is the only Lovecraft I've read. Read tons of Mike Mignola (the dude who created Hellboy if you didn't know) who was heavily influenced by all things Cthullu! I'm slow-reading Alif the Unseen by G W Wilson. It's about a computer hacker who begins a revolution in his middle eastern land. With the help of Djinn (ancient Islamic supernatural forces), alif must stop the grip of a would be tyrant known as The Hand.
The interesting thing about short stories, I've always found, is the fact that they are self-contained. Many people state that the most important thing for a short story is a satisfying conclusion - and to a certain extent it is important to have a beginning middle and end, but I personally enjoy subverting the form and leaving readers without all the answers. Having questions left open at the end of a story is always far more satisfying for me that have the threads all tied neatly just for the sake of self-containment, you know?
ReplyDeleteThat said, John's right that it's important to know your themes and let characters and situations drive your narrative to its conclusions, rather than trying to force an arbitrary end point after a certain length or point.
I often have a trouble with endings too; I start out with great aspirations but then, 2,000 - 3,000 words later, I just cop out and wrap it up for the sake of finishing. This does NOT a successful short story make. Instead, I'd suggest having a rough sketch of your plot before you begin. Like a road map, your destination is marked, and if you end up taking a different route to the end point, it's no big deal.
Not sure if that's helpful or not, but it works for me.
Neil Gaiman is a genius! Katie - have you read Smoke and Mirrors? It's his collection of short stories and it's a master class in how to construct a short narrative. If you send me your postal address, I can lend it to you! -x-
Thanks for the offer Leanne, I have Smoke and Mirrors lined up on my *ducks and waits for projectiles and/or reprimanding stares* ...Kindle. From your recommendation I will read it next!
ReplyDeleteJohn I have been reading the Hellboy comics(on number 2, have been pre-occupied with Fables and Promethea) but didn't know Mignola did prose too. I have got The Strain Trilogy(Del Toro) also lined up for reading this year so perhaps I will have to read a Mignola as well before/after. GW Wilson - have never heard of but sounds like I would enjoy Alif the Unseen from what you described.
Well as far as endings go I will try and research my themes in more depth and try and wrap up with a definite point/opinion and I think that will give me a little for focus. Leanne I do find myself doing the same and finishing up for the sake of an ending!
I try and bullet point out my story and write between them, perhaps few more towards the end might help keep me thoughts on track.
If your not ad-versed to reading scripts/monologues I highly recommend Chales Mee all his work is available to read for free here: http://www.charlesmee.org/html/plays.html
ReplyDeleteHe re-writes Greek myth combining it with a modern application of themes. Fabulous. I came across his work on my degree. Read the about section too it will give you a good context on which to base your readership strategy, especially if you are not in the habit of reading scripts.
Hurrah for the Macabre Miss! Sinister immortals and history out of time are a great playground for an author and I can tell you had fun.
ReplyDeleteYou have a strong voice, but I feel you are sometimes let down by your sentence structure. It's often a problem, in enthusiasm, and in aping classical style literature as you here, to go 'over complicated'. I think the greatest strength of an author is to know the words, the style, the rhythms, but to use it sparingly. Don't be a afraid of the full stop, nor should you worthy about combing concepts. An example of this is in:
'From Golden Geese to Jason's Golden Fleece then from Holy Grail's and Tablet's of Destiny I, Mr Lynx, presided over them all.'
If it were me, I'd pull that in to:
'Golden Geese's and Fleece's, Grail's and Tablet's - I, Mr Lynx, presided over them all.'
Obviously that's personal opinion and is not grammatically perfect, it has a stronger rhythm and style, and we get exactly the same information out of less words. You also don't need to worry about specific's such as Jason's Golden Fleece, there's not too many of them.
The 'horror' aspect of the end was a great turn around of the worship/unrequited love aspect of the story. I am a little confused as to who is wearing who's skin - Did they swap? He is flayed and she buts on his face as a mask, but then his corpse appears to be wearing her skin. All very evocative but leaves my analytical brain wondering. There are a few sentences that don't seem to go anywhere too, a quick skim through is perhaps needed.
I'd also like to know more about how these things come to Mr Lynx. It doesn't have to have a logical mechanism, but perhaps have him witness a new arrival just to make us feel like it's an ongoing process.
I'm no entirely certain about the spinning babies as alert mechanism. It is delightfully gothic, but I get the impression it's just due to shake and vibration, and so I have difficulty imagining it. Push it towards the mythic or drop it to simply have things shaking lose is my advice.
I like this over your piece last month as we are more quickly drawn into the nature of the character and story, and we have a more definitive arc and conclusion. You have some really creative strength that I'm really enjoying as I see more of. And of course the more one writes, the more we tighten our technique.
I can see your Lovecraftian influences alongside your more modern Gaimanesque et al ones. As I love Lovecraft (ha) I'd recommend taking inspiration from "Rats in the Walls" and "The Outsider" on this one.
Hey guys, slightly off-topic, I've never read any Lovecraft. Where should I start?
ReplyDeleteI had the same question myself Leanne. So I began with an audiobook of the Dunwich Horror. It is very VERY good. Horror comics would be quite different without ole HP!
ReplyDelete